Table of Contents

1. Founder’s Statement

White Stone Studios exists because the world needs more than content.

It needs Jesus Christ — and it needs stories that honor Him with excellence.

In a media culture often marked by compromise, spiritual confusion, and disposable entertainment, White Stone Studios is being built to produce clean, family, faith-based, Hollywood-quality movies, television series, and commercials.

Our work is designed to glorify Jesus Christ, strengthen families, and invite viewers to follow Him without sacrificing production quality.

The White Stone Legacy is the studio’s flagship series. Adapted from A White Stone and The Elect by Jim and Merry Corbett, it asks a single urgent question:

The end times are the setting. Discipleship is the story. Jesus Christ is the Hero.

We reject both mediocrity and compromise. Clean does not mean simplistic. Faith-based does not mean inferior. Excellence honors God.

White Stone Studios is being established as a lasting platform for high-quality faith-centered content. The White Stone Legacy is the first fruit of that commitment.

2. Executive Summary

White Stone Studios is a faith-based production studio focused on clean, family, Hollywood-quality media across three primary formats: feature films, television series, and commercials.

The studio’s flagship project is The White Stone Legacy, a premium dramatic series adapted from A White Stone and The Elect by Jim and Merry Corbett. The series is planned as four seasons of eight episodes each, creating a 32-episode initial story arc.

The studio’s core conviction is simple: Jesus Christ is the Hero. The flagship series explores the cost and beauty of true discipleship rather than using the end times as mere spectacle.

White Stone Studios uses an AI-assisted and CGI production model supported by Grok Imagine or similar tools and the studio’s Mission Control production system. This model is designed to support visual consistency, character continuity, controlled costs, faster iteration, and repeatable production across multiple projects.

Area	Overview
Studio	White Stone Studios
Positioning	Clean, family, faith-based, Hollywood-quality media
Flagship Project	The White Stone Legacy
Source Material	A White Stone and The Elect by Jim and Merry Corbett
Initial Series Plan	Four seasons, eight episodes per season, 32 total episodes
Production Model	AI-assisted CGI using Grok Imagine or similar tools, supported by Mission Control
Season One Planning Budget	$300,000 fully loaded planning projection
Four-Season Planning Projection	$2,437,500, based on a 50% season-over-season scaling assumption
Partner Role	Support production, release, marketing, prayer, and audience advocacy; no creative, legal, canon, workflow, or operational control

3. Mission

White Stone Studios exists to produce clean, family, faith-based, Hollywood-quality movies, television series, and commercials that glorify Jesus Christ and call people to follow Him.

We refuse the false choice between conviction and excellence. Our standard is both.

The studio’s mission is not simply to make content. It is to create media that carries truth, strengthens families, respects biblical conviction, and reaches viewers through professional-quality storytelling.

Technology, funding, marketing, and distribution are tools. They are not the center. The mission remains the center.

4. Studio & Flagship Relationship

White Stone Studios is the production studio.

The White Stone Legacy is the flagship series.

This distinction matters because the studio vision is broader than one project. The flagship series is the first major expression of the studio’s mission, production model, and quality standard, but the long-term goal is a slate of clean, family, faith-based media across multiple formats.

Element	Role
White Stone Studios	The studio platform, production engine, operating identity, and long-term content banner
The White Stone Legacy	The flagship dramatic series and first major studio project
Mission Control	The studio’s internal production system for structured story extraction, continuity, and prompt generation
Future Slate	Additional films, series, commercials, and approved faith-based or family-centered media projects

5. Source Material & Authority

The White Stone Legacy is adapted from A White Stone and The Elect by Jim and Merry Corbett.

Jim and Merry Corbett retain final authority on story intent and canon. The adaptation philosophy is translation, not reinterpretation. Any material change to canon requires deliberate review.

This source-material authority protects the flagship series from drift. It also demonstrates the studio’s larger operating principle: faith-based storytelling must be handled with reverence, discipline, and excellence.

Authority Area	Guiding Standard
Story Intent	Final authority remains with Jim and Merry Corbett for the flagship series
Adaptation	Translation, not reinterpretation
Canon Changes	Deliberate review required
Creative Control	Remains under project leadership and approved authority structures

6. Audience & Opportunity

The primary audience includes Christian families, churches, small groups, faith-based media viewers, and seekers willing to engage substantive spiritual questions through story.

The broader opportunity is larger than one series. White Stone Studios is being built to deliver multiple films, series, and commercials under the same non-negotiable standards of cleanliness, family focus, biblical faithfulness, and production excellence.

Beyond the flagship series, White Stone Studios can develop a broader slate of clean, family, faith-based content. One possible future project is a public-domain adaptation of Sherlock Holmes, approached with the same commitment to excellence, moral clarity, and production quality. This would allow the studio to expand into recognizable classic literature while maintaining creative control and avoiding expensive rights acquisition.

Audience Segment	Why It Matters
Christian Families	Looking for serious, clean, meaningful stories that can be watched and discussed together
Churches	Need high-quality media that can support approved conversations around faith, courage, discernment, and discipleship
Small Groups	Can engage episode-based questions, reflection, and approved study materials
Faith-Based Media Viewers	Already support Christian film, series, books, music, and direct-to-audience campaigns
Seekers	May engage spiritual truth through story before they are ready for direct theological conversation
Commercial / Organizational Clients	May need clean, high-quality commercials and visual media aligned with family or faith-based values

7. Production Approach

White Stone Studios uses an AI-assisted and CGI production model. This allows high visual quality and strong continuity without the full cost structure of traditional location-based live-action production.

Resources are concentrated on story, character consistency, design, editing, voice, sound, music, finishing, legal review, and quality control. Technology serves the mission; it does not define it.

White Stone Studios operates Mission Control, a proprietary production system that ingests books or scripts and systematically extracts characters, locations, props, scene structure, and continuity details. From that structured data, Mission Control supports consistent, production-ready prompts for the AI tools in the pipeline.

Mission Control is already in daily use and has been applied in pilot productions currently available through the studio’s public channels. Those pilot examples have collectively exceeded 500,000 views. The system is designed to protect story integrity, maintain visual and character consistency across episodes and projects, and reduce the cost and drift common in large-scale generative production.

This production approach supports both The White Stone Legacy and future films, series, and commercials under the same quality standard.

Traditional Production Burden	White Stone Studios Approach
Physical location shoots	Digital environments and CGI-native production
Live-action actor schedules	Digital character and voice workflow under studio direction
Large on-site crews	Smaller, digitally focused production structure
Weather delays and permits	Controlled digital production environment
Traditional set construction	Reusable digital environments and assets
High reshoot costs	Iterative digital refinement and controlled revisions

8. Industry Context

Recent faith-based and biblical projects show two important realities: serious spiritual storytelling can attract large audiences, and traditional high-quality production can become very expensive as scale increases.

The Chosen demonstrated the strength of audience-supported faith-based media. SEC filings reported that its early 2018–2019 campaign raised just over $11 million and was the most crowdfunded television/movie project of its time. Later reporting has described the series as a global phenomenon with significant theatrical revenue and broad international reach.

House of David demonstrated that biblical drama can perform strongly on major streaming platforms. Public reports stated that Season One attracted 22 million viewers in its first 17 days on Prime Video and later exceeded 40 million viewers globally. Industry reporting also noted the production’s use of generative AI and virtual-production techniques to reduce the cost and time required for certain large-scale visual sequences.

White Stone Studios is not positioned as a direct competitor to either project. These examples are included only to show that there is clear audience interest in serious faith-centered storytelling and that new production models are becoming relevant to the future of high-quality media.

Factor	The Chosen / House of David	White Stone Studios Approach
Core Production Model	Primarily traditional live-action, with reported selective AI / virtual-production support in some cases	AI-assisted CGI from the ground up
Cost Trajectory	Public reports indicate rising costs as scope and production values increase	Designed for greater cost predictability through digital production and reusable workflows
Audience Demand	Strong demonstrated demand for biblical and faith-centered drama	Targets clean, family, faith-based audiences with a scalable studio model
Content Emphasis	Biblical narrative and character-driven storytelling	Discipleship under pressure; clean, family, faith-based stories across multiple formats
Distribution Flexibility	App, theatrical, streaming, and platform partnerships	Flexible across direct-to-audience, streaming, private support, public campaigns, churches, and approved partner channels

The White Stone Studios opportunity is to pursue comparable seriousness, spiritual weight, and production excellence while building from a different foundation: AI-assisted CGI, internal continuity systems, controlled digital workflows, and phased funding.

9. Series Format

The flagship series is planned as a four-season, 32-episode adaptation arc.

Season	Episodes	Source	Focus
Season One	8	A White Stone	Establish the world, characters, tone, and call to discipleship
Season Two	8	A White Stone	Deepen consequences and complete the first major adaptation block
Season Three	8	The Elect	Expand the arc, raise the stakes, and continue the story world
Season Four	8	The Elect	Bring the initial 32-episode story arc toward culmination
Total Initial Arc	32	Two novels	Four-season flagship series

The series is designed to be clean and suitable for families while remaining serious in spiritual weight, dramatic consequence, and cinematic presentation.

10. Development & Funding

Foundational work is underway, including series architecture, Season One development, visual and workflow testing, and legal frameworks. Pilot productions created through the studio’s workflow are already public and have collectively surpassed 500,000 views.

The current Season One planning projection is $300,000 fully loaded. This is a planning estimate, not a formal offering budget or guarantee. Final budgets and any formal financial terms must be reviewed by qualified counsel.

Season One Planning Projection

Category	Projected Amount
Hardware: PCs and Macs for production	$45,000
Software and subscriptions	$25,000
Founder / production salary	$180,000
Contingency, overruns, and extras	$50,000
Total Season One	$300,000

Four-Season Planning Projection

The following projection assumes a 50% increase per season to account for expanded scope, higher production values, scaling needs, additional assets, and future growth. These are planning numbers only.

Season	Projected Cost
Season One	$300,000
Season Two	$450,000
Season Three	$675,000
Season Four	$1,012,500
Total Seasons One–Four	$2,437,500

Even at these projected levels, the AI-assisted model and Mission Control system are designed to keep overall costs dramatically lower than traditional live-action biblical or faith-based series at comparable scope.

Funding is intended to be structured in phases rather than as a single all-or-nothing raise. This allows the studio to move from development and proof-of-concept into Season One production, release, and future-season readiness with discipline.

Formal investment terms, if offered, will be prepared by qualified legal and financial counsel.

11. Partnership Invitation

White Stone Studios invites aligned supporters to help establish the studio and bring The White Stone Legacy to the screen.

Support may include production funding, release and marketing support, prayer, and audience advocacy. Future support may extend to additional films, series, and commercials.

Partners are not invited into creative control, canon decisions, writing and adaptation, legal structure, AI / CGI workflow, church or ministry strategy, strategic relationships, or operational authority. Those areas remain with the authors where story and canon are concerned, and with White Stone Studios leadership and qualified counsel where production, operations, legal structure, and strategy are concerned.

Protected Area	Authority Boundary
Story Intent and Canon	Jim and Merry Corbett retain story-intent authority for the flagship series
Writing and Adaptation	Directed internally to preserve translation, not reinterpretation
Legal Structure	Prepared by qualified legal and financial counsel
AI / CGI Workflow	Managed internally by White Stone Studios leadership
Church and Ministry Engagement	Directed internally to protect mission alignment and avoid outside control
Strategic Relationships	Pursued only through project leadership
Operational Authority	Remains with White Stone Studios leadership

This is an invitation to help build a studio and steward a story that asks:

White Stone Studios is committed to clean, family, faith-based content produced at Hollywood quality.

The White Stone Legacy is the first expression of that commitment.

A story of the end.

A call to follow Christ.

12. Next Steps & Contact

For private discussion, supporter conversations, investor inquiries, or approved project review, please contact:

James Klinger
James Klinger
Phone: 336-740-4106
Website: https://wss.vkjv.org/

If you have received this overview by invitation, please do not copy, distribute, or circulate it beyond approved recipients without written permission from project leadership.

Source Notes

• The Chosen early crowdfunding claim is based on SEC filings stating that the 2018–2019 campaign raised just over $11 million and was the most crowdfunded television/movie project of its time. Source: Chosen, LLC SEC filing.
• The Chosen global box-office context is based on 2025 reporting and Prime Video release materials describing cumulative global theatrical grosses around or above $140 million. Sources: Prime Video release via The Futon Critic and People.
• The Chosen global audience references are included as publicly reported/claimed reach, not as independently audited project economics. Sources include People and The Guardian.
• House of David viewership references are based on public reporting that Season One attracted 22 million viewers in its first 17 days and later exceeded 40 million viewers globally. Sources: Forbes and Reuters.
• House of David AI / virtual-production references are based on reporting that Season Two used hundreds of AI shots and virtual-production techniques to reduce the cost and time required for certain large-scale visual sequences. Sources: WIRED and Los Angeles Times.